Like millions of kids around the world, Santiago harbors the dream of being a professional footballer... However, living in the Barrios section of Los Angeles, he thinks it is only that--a dream. Until one day an extraordinary turn of events has him trying out for Premiership club Newcastle United.
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| Production | Mike Jefferies | Producer |
| Production | Mark Huffam | Producer |
| Production | Lawrence Bender | Executive Producer |
| Production | Peter Hargitay | Executive Producer |
| Writing | Dick Clement | Screenplay |
| Art | Stuart Rose | Art Direction |
| Camera | Michael Barrett | Director of Photography |
| Editing | Chris Dickens | Editor |
| Writing | Mike Jefferies | Screenplay |
| Directing | Danny Cannon | Director |
| Sound | Graeme Revell | Original Music Composer |
| Writing | Adrian Butchart | Screenplay |
| Writing | Mike Jefferies | Story |
| Art | Laurence Dorman | Production Design |
| Production | Matt Barrelle | Producer |
| Writing | Ian La Frenais | Screenplay |
| Writing | Adrian Butchart | Story |
| Directing | Angela Wharton | Script Supervisor |
| Production | Lucinda Syson | Casting |
| Production | Elaine Grainger | Casting |
| Camera | George Richmond | Camera Operator |
| Production | Stevie Hargitay | Associate Producer |
| Production | Darryn Welch | Co-Producer |
| Production | Nicolas Gautier | Associate Producer |
| Production | Jonathan Harris | Associate Producer |
| Production | Allen Hopkins | Associate Producer |
| Production | Jo Burn | Co-Producer |
| Production | Danny Stepper | Co-Producer |
| Costume & Make-Up | Lindsay Pugh | Costume Design |
| Production | Chris Ouwinga | Co-Producer |
| Crew | Duncan McDevitt | Propmaker |
| Art | Peter Edge | Standby Painter |
| Camera | Adam Dale | Aerial Camera |
| Crew | Antonio Evans | Set Medic |
| Costume & Make-Up | Matthew Kern Atzenhoffer | Set Dressing Artist |
| Crew | Brianna Becker | Legal Services |
| Costume & Make-Up | Charlotte Parker | Hair Department Head |
| Crew | Michael Kehoe | Craft Service |
| Art | Gavin Fitch | Assistant Art Director |
| Art | Camilla Fox Lansley | Location Scout |
| Camera | John P. Cleveland | Grip |
| Costume & Make-Up | Tara McDonald | Hairstylist |
| Costume & Make-Up | Dena Fayne | Key Hair Stylist |
| Crew | Anthony Smith | Digital Effects Supervisor |
| Costume & Make-Up | Tara McDonald | Makeup Artist |
| Crew | Fabian Arroyo | Driver |
| Camera | Jamie Hicks | First Assistant Camera |
| Camera | George Richmond | Steadicam Operator |
| Costume & Make-Up | Sian Richards | Makeup Designer |
| Camera | Bruce Birmelin | Still Photographer |
| Crew | Ben Dillon | Picture Car Coordinator |
| Art | David Balfour | Property Master |
| Costume & Make-Up | Nancy Collini | Costume Supervisor |
| Costume & Make-Up | Sian Richards | Hair Designer |
| Art | Michelle Hosier | Art Department Assistant |
| Crew | Kathy Sykes | Post Production Supervisor |
| Costume & Make-Up | Jane English | Key Makeup Artist |
| Art | Ian Whiteford | Greensman |
| Camera | Michael J. Coo | Key Grip |
| Costume & Make-Up | June Brickman | Makeup Department Head |
| Editing | Mark Neale | First Assistant Editor |
| Visual Effects | Kevin Spruce | Animation Supervisor |
| Visual Effects | Mark Nelmes | Visual Effects Supervisor |
| Crew | Seth Hansen | Set Production Assistant |
| Sound | Simon Price | Dialogue Editor |
| Lighting | Sam Wayman | Lighting Technician |
| Lighting | John Higgins | Gaffer |
| Sound | Larry Hopkins | Sound Mixer |
| Sound | Adam Daniel | Assistant Sound Editor |
| Crew | Heidi Freeman | Visual Effects Editor |
| Lighting | Keith Edland | Best Boy Electric |
| Production | Douglas Dresser | Location Manager |
| Directing | Christopher Newman | First Assistant Director |
| Crew | Don Poole | Transportation Coordinator |
| Sound | Kevin Hyde | Boom Operator |
| Sound | Peter Clarke | Music Editor |
| Visual Effects | Tim Keene | Visual Effects Producer |
| Crew | Wendy Wilhite Chatley | Studio Teachers |
| Sound | John Bell | Orchestrator |
| Lighting | Wayne Leach | Rigging Gaffer |
| Sound | Christopher Ackland | Foley Editor |
| Visual Effects | Matthew Morrissey | 24 Frame Playback |
| Lighting | Fred Brown | Electrician |
| Sound | Tom Sayers | Sound Designer |
| Visual Effects | Michael G. Bartlett | Digital Compositors |
| Production | Douglas Dresser | Production Supervisor |
| Sound | Francis Ward Lindsay | Sound Effects Editor |
| Crew | Philip Ball | Stand In |
| Production | Jo Burn | Unit Production Manager |
| Crew | David Schmalz | Video Assist Operator |
| Crew | Linda Brown-Salome | Unit Publicist |
| Sound | James Seddon | Dolby Consultant |
| Production | Sue Bokobza | Production Accountant |
| Production | Stephanie Dölker | Production Coordinator |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Mark Heslop | Supervising Sound Editor |
| Visual Effects | Paul Corbould | Special Effects Supervisor |
| Crew | Tony Auger | Special Effects Technician |
| Sound | Debra Baum | Music Consultant |
| Lighting | Larry Sushinski | Assistant Chief Lighting Technician |
| Production | Samuel Bokebza | First Assistant Accountant |
| Lighting | Larry J. Aube | Key Rigging Grip |
| Lighting | Ruben Chacon | Rigging Grip |
| Costume & Make-Up | Mitch Baylock | Costume Assistant |
| Directing | Tom Glaisyer | Third Assistant Director |
| Sound | Trudy Ashmore | ADR Editor |
| Editing | Adam Glasman | Colorist |
| Production | Matthew Jenkins | Post Production Coordinator |
| Production | Carlos A. Aragon | Assistant Location Manager |
| Art | Shap McDonnell | Supervising Carpenter |
| Camera | Amy H. Abrams | Second Assistant Camera |
| Costume & Make-Up | Charlotte Child | Wardrobe Assistant |
| Editing | Gavin Round | Digital Intermediate Editor |
| Art | David Cheesman | Dressing Prop |
| Camera | Michael Brennan | Dolly Grip |
| Sound | Steve Hancock | Sound Assistant |
| Crew | Cian O'Clery | Floor Runner |
| Production | Kate Ringsell | Casting Assistant |
| Sound | Rudy Chung | Music Coordinator |
| Directing | Robert 'Skid' Skidmore | Second Second Assistant Director |
| Sound | Diane Greaves | Foley Artist |
| Crew | Don Bonaer | Health and Safety |
| Camera | Michael D. Alvarez | Camera Loader |
| Costume & Make-Up | Brendan Handscombe | Wardrobe Master |
| Camera | Gary Smith | Additional Grip |
| Camera | Tom Taylor | Camera Trainee |
| Camera | Chris Bain | Focus Puller |
| Sound | Nick Ingman | Conductor |
| Production | Carrie Arnold | Assistant Production Coordinator |
| Visual Effects | Michael Bartlett | Digital Compositor |
| Production | Angela Goodwin | Production Secretary |
| Crew | Kerry Downing | Visual Effects Editor |
| Crew | William Conacher | Dialogue Coach |
| Crew | Ronnie Savory | Generator Operator |
| Directing | Richard Goodwin | Second Assistant Director |
| Art | James P. Meehan | Assistant Property Master |
| Sound | James Bennett | ADR Recordist |
| Crew | Karen Fryer | Assistant Script |
| Production | Kristan Berona | Extras Casting |
| Production | Teresa L. Humphreys | Payroll Accountant |
| Crew | Marc Wolff | Pilot |
| Production | Ted Alvarez | Production Assistant |
| Camera | Craig Kohtala | Best Boy Grip |
| Production | Fry Martin | Assistant Accountant |
| Lighting | Cory Geryak | Chief Lighting Technician |
| Sound | Susan French | Supervising ADR Editor |
| Editing | Steve Farman | Negative Cutter |
| Sound | Abel Schiro | Utility Sound |
| Sound | David E. Russo | Music Programmer |
| Costume & Make-Up | Vienna McMahon | Makeup Trainee |
| Sound | Peter Gleaves | ADR Mixer |
| Camera | Will Humphris | Clapper Loader |
| Production | Ed Symon | Production Runner |
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