In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
Unfortunately the movie The Crime Is Mine is not yet available on Netflix. Follow us on Facebook to see when The Crime Is Mine becomes available on Netflix!
Directing | François Ozon | Director |
Camera | Manuel Dacosse | Director of Photography |
Production | Eric Altmayer | Producer |
Production | Nicolas Altmayer | Producer |
Art | Philippe Cord'homme | Set Decoration |
Editing | Laure Gardette | Editor |
Directing | Richard Elmosnino | Assistant Director |
Production | Robin Reze | Assistant Unit Manager |
Directing | Marion Dehaene | First Assistant Director |
Costume & Make-Up | Marie Messien | Makeup Artist |
Costume & Make-Up | Joran Muratori | Additional Hairstylist |
Costume & Make-Up | Nathalie Tabareau | Key Makeup Artist |
Camera | Julien Chassaignon | Additional Grip |
Directing | Agathe Grau | Script Supervisor |
Camera | Thomas Caselli | First Assistant Camera |
Directing | Thibault Frey | Third Assistant Director |
Camera | Victoire Bonin | Second Assistant Camera |
Lighting | Stanislas Etenaille | Gaffer |
Editing | Matis Bros | Assistant Editor |
Directing | Grégoire Jeudy | Second Assistant Director |
Camera | Julien Moine | Key Grip |
Camera | Giovanni Quéné | Grip |
Camera | Sylvain Zambelli | First Assistant Camera |
Art | Julia Fimat | Props |
Camera | Lara Mzayek | Assistant Camera |
Costume & Make-Up | Indiana Sylla | Wardrobe Coordinator |
Camera | Adrien Anquetil | Grip |
Camera | Nathan Meynsbrughen | Additional Grip |
Directing | Christophe Gomes | Assistant Director |
Visual Effects | Ayelen Camiña | Visual Effects Coordinator |
Camera | Guillaume Quilichini | Steadicam Operator |
Sound | Jean-Philippe Marin | Boom Operator |
Editing | Bertrand Glosset | Colorist |
Editing | Rémi Paquin | First Assistant Editor |
Camera | Stephane Canda | Grip |
Art | Clément Jolivet | Graphic Designer |
Art | Baptiste Tordeux | Assistant Art Director |
Lighting | David Tshiakatumba | Electrician |
Art | Yann Ricordeau | Property Master |
Sound | Jean-Marie Blondel | Sound Mixer |
Art | Barthelemy Thomas | Set Dresser |
Art | Emilie Ferrenq | Property Master |
Camera | Isabelle Brégeaud | Additional First Assistant Camera |
Art | Louise Pichon | Assistant Set Decoration |
Sound | Dominique Eyraud | Boom Operator |
Costume & Make-Up | Justine Fiorito | Makeup Artist |
Writing | François Ozon | Screenplay |
Writing | Louis Verneuil | Theatre Play |
Writing | Georges Berr | Theatre Play |
Lighting | Louis Zebo | Best Boy Electric |
Writing | Philippe Piazzo | Script Consultant |
Sound | Philippe Rombi | Original Music Composer |
Art | Jean Rabasse | Production Design |
Costume & Make-Up | Pascaline Chavanne | Costume Design |
Production | David Bertrand | Casting |
Production | Anaïs Duran | Casting |
Production | Geneviève Lemal | Co-Producer |
Art | Stephanie Laurent Delarue | Art Direction |
Production | Aude Cathelin | Production Manager |
Sound | Julien Roig | Sound Editor |
Sound | Jean-Paul Hurier | Sound Re-Recording Mixer |
Visual Effects | Guillaume Le Gouez | Visual Effects Supervisor |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!