A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.
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| Directing | Duncan Henderson | First Assistant Director |
| Directing | Janet G. Knutsen | Second Assistant Director |
| Directing | Eric Jewett | Second Assistant Director |
| Lighting | Carl Boles | Chief Lighting Technician |
| Camera | Jack Glenn | Grip |
| Costume & Make-Up | Robin Borman-Wizan | Costumer |
| Costume & Make-Up | Michael J. Long | Costumer |
| Production | Barbara Harris | ADR Voice Casting |
| Production | Henry Alford | Casting Assistant |
| Production | Cynthia Rothkopf | Casting Assistant |
| Lighting | Jeff Stanman | Electrician |
| Camera | Larry Hezzelwood | Second Assistant Camera |
| Art | Gayle Simon | Assistant Art Director |
| Crew | Frederick Lietzman | Prop Maker |
| Lighting | Keith Pallant | Electrician |
| Camera | Christopher Ishii | Second Assistant Camera |
| Art | Louis S. Fleming | Property Master |
| Costume & Make-Up | Murray Lantz | Costumer |
| Camera | Howard Hagadorn | Grip |
| Camera | Danny Boldroff | Grip |
| Camera | Steve Boldroff | Key Grip |
| Production | Sally Stiner | Casting Assistant |
| Lighting | Eddie Taylor | Electrician |
| Art | Kurt V. Hulett | Assistant Property Master |
| Camera | Donald Whipple Jr. | Dolly Grip |
| Costume & Make-Up | Linda Henrikson | Costumer |
| Art | Jane Stewart | Standby Painter |
| Sound | Margie O'Malley | Foley Artist |
| Camera | Richard A. Mention | First Assistant Camera |
| Camera | John London | Key Grip |
| Lighting | Richard L. Jordan | Electrician |
| Camera | Roger Gebhard | First Assistant Camera |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Editing | Gregory M. Gerlich | Assistant Editor |
| Art | Max E. Brehme | Set Dresser |
| Sound | Stanley B. Gill | Sound Recordist |
| Production | Lynn C. Marchionno | First Assistant Accountant |
| Sound | Michael Evje | Sound Mixer |
| Sound | Robin Garb | Music Supervisor |
| Sound | Fredrick Talmage | Utility Sound |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Teri E. Dorman | Sound Editor |
| Sound | Avram D. Gold | ADR Editor |
| Production | Cynthia Wise | Production Accountant |
| Crew | Tony Maffatone | Technical Advisor |
| Crew | James E. Lorimer | Craft Service |
| Sound | Jay Wilkinson | Sound Editor |
| Editing | Paul Cichocki | Assistant Editor |
| Editing | Martin November | Assistant Editor |
| Production | Bill Wells | Production Consultant |
| Sound | Michele Sharp | Sound Editor |
| Production | Bruce Carter | Production Assistant |
| Directing | Seanna McPherson | Third Assistant Director |
| Crew | Verla Loomis Randall | Craft Service |
| Production | Richard Liebegott | Production Coordinator |
| Sound | James M. McCann | Boom Operator |
| Sound | Evelyn Dutton | Foley Artist |
| Sound | Joseph A. Ippolito | Sound Editor |
| Editing | Robert Raring | Color Timer |
| Production | Menahem Golan | Producer |
| Writing | Sylvester Stallone | Screenplay |
| Production | Yoram Globus | Producer |
| Sound | Sylvester Levay | Original Music Composer |
| Camera | Ric Waite | Director of Photography |
| Production | James D. Brubaker | Executive Producer |
| Editing | Don Zimmerman | Editor |
| Costume & Make-Up | Tom Bronson | Costume Design |
| Writing | Paula Gosling | Novel |
| Production | Joy Todd | Casting |
| Directing | George P. Cosmatos | Director |
| Editing | James R. Symons | Editor |
| Production | Tony Munafo | Producer |
| Art | Michael J. Smith | Construction Coordinator |
| Art | Bill Kenney | Production Design |
| Crew | Ed Arter | Transportation Coordinator |
| Crew | Michael Brum | Transportation Captain |
| Art | William Ladd Skinner | Art Direction |
| Sound | George Brand | Music Editor |
| Art | David F. Klassen | Set Designer |
| Art | Adrian Gorton | Art Direction |
| Art | Robert Gould | Set Decoration |
| Crew | Phil Cory | Special Effects |
| Crew | Joe Finnegan | Stunts |
| Art | William D. Derham | Leadman |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Camera | Michael St. Hilaire | Camera Operator |
| Production | Laura Sode-Matteson | Location Manager |
| Crew | Terry Leonard | Stunt Coordinator |
| Camera | Nick McLean | Additional Photography |
| Production | Tom Gray | Publicist |
| Art | Cate Bangs | Assistant Art Director |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Camera | Dave Friedman | Still Photographer |
| Costume & Make-Up | Leonard Engelman | Makeup Artist |
| Camera | Rick Neff | Camera Operator |
| Lighting | Ken Tosic | Best Boy Electric |
| Costume & Make-Up | Stephen Abrums | Makeup Artist |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Directing | Hope Williams | Script Supervisor |
| Art | Douglas Forsmith | Leadman |
| Lighting | Carl Boles | Lighting Technician |
| Costume & Make-Up | Lola Kemp | Hairstylist |
| Sound | Fred J. Brown | Supervising Sound Editor |
| Production | Robert H. Lemer | Location Manager |
| Crew | Mark De Alessandro | Stunt Double |
| Directing | Terry Leonard | Second Unit Director |
| Editing | Carmen Hocson Baker | Assistant Editor |
| Crew | Terry Jackson | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Lane Leavitt | Stunts |
| Crew | Pat Romano | Stunts |
| Crew | Mike H. McGaughy | Stunts |
| Crew | Brad Bovee | Stunts |
| Crew | Scott Dockstader | Stunts |
| Crew | Mike Johnson | Stunts |
| Crew | Mark De Alessandro | Stunts |
| Crew | Kerry Rossall | Stunts |
| Crew | Gary McLarty | Stunts |
| Crew | Richard Epper | Stunts |
| Crew | David D. Darling | Stunts |
| Crew | Paul M. Lane | Stunts |
| Crew | Corey Michael Eubanks | Stunts |
| Crew | Diane Kay Grant | Stunts |
| Crew | Ben Scott | Stunts |
| Crew | Branscombe Richmond | Stunts |
| Crew | Tracy Keehn-Dashnaw | Stunts |
| Crew | Mike Tillman | Stunts |
| Crew | Michael Runyard | Stunts |
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