Set in the Little Saigon district outside of Sydney, a woman trying to escape her past becomes embroiled in a drug deal.
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Camera | Danny Ruhlmann | Director of Photography |
Production | Ann Robinson | Casting |
Sound | Nathan Larson | Original Music Composer |
Art | Beth Garswood | Set Decoration |
Production | Kirk D'Amico | Executive Producer |
Production | Marion Pilowsky | Executive Producer |
Production | Vincent Sheehan | Producer |
Art | Luigi Pittorino | Production Design |
Directing | Rowan Woods | Director |
Production | Barrie M. Osborne | Executive Producer |
Editing | John Scott | Editor |
Writing | Jacquelin Perske | Author |
Production | Robert Mullis | Executive Producer |
Production | Liz Watts | Producer |
Editing | Alexandre de Franceschi | Editor |
Production | Richard Keddie | Producer |
Costume & Make-Up | Melinda Doring | Costume Design |
Camera | Martin Fargher | Best Boy Grip |
Directing | Kate North Ash | Third Assistant Director |
Camera | Matt Nettheim | Still Photographer |
Directing | Deborah Antoniou | Second Assistant Director |
Camera | Lisa Tomasetti | Still Photographer |
Directing | John Martin | First Assistant Director |
Camera | Lucinda van de Berkt | Clapper Loader |
Lighting | Finbarr Collins | Best Boy Electric |
Camera | Derry Field | Focus Puller |
Camera | Ian Bird | Key Grip |
Camera | Matt Coulam | Assistant Grip |
Writing | Jacquelin Perske | Writer |
Costume & Make-Up | Jan Zeigenbein | Hairstylist |
Costume & Make-Up | Josephine Morrison-Jack | Makeup & Hair |
Costume & Make-Up | Adele Durno | Makeup & Hair |
Costume & Make-Up | Kirsten Veysey | Makeup Artist |
Art | Janie Parker | Art Direction |
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